Dior Spring Summer 2023 Women’s Wear. Story by Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE. Photo Courtesy: Christian Dior / Adrien Dirand / Laura Sciacovelli.
Dior spring-summer 2023 ready-to-wear show diffused on the metaverse platform Meta ZiWU on Baidu Xi Rang, and by RUNWAY MAGAZINE on Spatial, new Web3 (web in 3d – metaverse) social media network.
Paris Maps, Sugar Plums, flowers and underwear of course are the main leitmotiv of this Dior collection. Maria Grazia Chiuri, creative director of Dior Couture House, one more time presented Italian laundry for Spring Summer 2023. This selection of underwear has very intricate and exquisite handmade work, only she forgot to create the dresses to wear on top. So the models paraded in bras and underskirts in the environment of the dark forest. Perhaps it is another of her sexual fantasies about a princess Snow White who find herself almost naked facing the monsters of the forest. This Dior Spring Summer 2023 is a perfect addition to the Dark Tinker Bell collection she showed for Dior Fall Winter 2021-2022.
And here is beautifying Press-release for this dark story created by Maria Grazia Chiuri for Dior:
Press-release
Each Maria Grazia Chiuri collection is designed to open up room for the inventive imagination. For this Dior spring-summer 2023 ready-to-wear défilé, the Creative Director of Dior women’s lines notably uses the image of a map of Paris from the House’s archives, printed on a scarf and structured around the Avenue Montaigne*. Thus she traces her own path, between autobiography and reflection. Then comes the Tuileries Garden, which was commissioned by Catherine de Medici. An Italian who arrived at the French court in 1533, this noblewoman remains a figure emblematic of the relationship between women and power, and fascinates Maria Grazia Chiuri because of her political intelligence, but also the innovations she launched, such as heels, the corset, and Burano lace, introduced to the royal manufactures.
Women know how to explore magical territories since they have a privileged connection with nature and its vital force. They listen to the turmoil that often traverses them. That most secret realm, at once in the shadows and marvelous, is like the baroque caves that inspired the artist Eva Jospin for the decor she dreamed up for this show in the heart of the Jardin des Tuileries.
Noncompliant with predetermined existences, women are capable of exercising power in many ways, including by escaping through the mind. The power of fashion becomes the power of women, a form of awareness that draws on this attraction to the outside world, to what lies beyond perception, knowledge and common experience. Fashion dialogues with reality through artifice; the garments of the Court are transformed. Maria Grazia Chiuri updates the corset by giving it a quasi-geometric shape that frames the bust. Thus, the guêpière, sometimes hidden, sometimes visible, outlines a silhouette reminiscent of the wide skirts worn at the court of Catherine de Medici. An ancestral tradition, raffia coats adorned with floral and bird motifs, that is also revisited with Dior’s creativity and contemporary expertise.
This collection pays homage to fashion as an art of invention, able to redefine the city of Paris over and over again, each and every time, allowing the multiple facets of its history to live on. Fashion as an urban concept, a showcase of clothes that color the spaces of our time; the city as a backdrop for the material and immaterial imagination of fashion and beyond. The map as a means of staging a city, of expressing the cultural complexity of our era, celebrating the power of the women who navigate it daily.
*This Dior scarf was created in the early 1950s.