MARIE-ANTOINETTE Correspondances Privées d’Evelyne Lever.
Mise en scène Sally Micaleff
AVEC
FABIENNE PÉRINEAU
LUMIÈRES : CHRISTIAN DRILLON
SON : KIDEDO au Théâtre Classique LUCERNAIRE
MARIE-ANTOINETTE Private correspondence of Evelyne Lever.
Directed by Sally Micaleff
WITH
FABIENNE PERINEAU
LIGHTS: CHRISTIAN DRILLON
SOUND: KIDEDO at the Classical Theater LUCERNAIRE
www.lucernaire.fr
VISUEL DE L’AFFICHE : TABLEAU ORIGINAL DE L’ARTISTE STREET ART EVAZÉSIR NORULESCORP (GALERIE LIGNE 13)
VISUAL OF THE POSTER: ORIGINAL TABLE OF THE ARTIST STREET ART EVAZÉSIR NORULESCORP (GALLERY LINE 13)
Photo © Jeff Guiot
COSTUME : FRANCK SORBIER COUTURE
“In 1783, Elisabeth Vigée Le Brun painted the portrait of queen Marie-Antoinette in a gaule dress. This portarait created a scandal and it was soon replaced. Indeed, on this painting the queen appears “neglected”, in a garment reserved for intimacy. Versailles fashion has a return to nature and a desire for simplicity linked to the work of Jean-Jacques Rousseau. The costume created for the play Marie-Antoinette, Private Correspondence expresses above all the intimate setting in which the story takes place, and also the idea of trousseau, old camisoles of white cotton in accumulation, a whorled corset in canvas on the “neglected new version” suggests the dignity of the queen, but also the rigidity of the Court, which she has never abandoned desire to soften. “_ FRANCK SORBIER COUTURE
Photo © Jeff Guiot
Comédienne Fabienne Périneau
Actress Fabienne Périneau
“The costume created by Franck Sorbier is magnificent. I had a great pleasure to be present at his artistic creation process, I was talking about the show with him and the atmosphere I wanted. Then when I came with my actress for the first fitting and I saw the draft of the dress, I was moved to tears because I had the feeling that he had transffered my words into the costume .. . “- Sally Micaleff
Photo © Jeff Guiot
Actress Fabienne Périneau
Photo © Jeff Guiot
Designer Franck Sorbier
Couturier FRANCK SORBIER
A dreamy poet, demanding researcher, Franck Sorbier plays a role on the fashion scene, anxious to perpetuate, at all costs, Haute Couture and its know-how.
The couturier, who dared to “go into haute couture” by transforming tulle falls, constantly invented and “poeticized”, in “patient gestures”, the simple, precious, always noble materials of the Sewing: the lace he bubbles or chiselled, the tulle he crumbles or blistering, the hair he ruffles, the silk he presses and compresses, his “signature” since his beginnings.
The refined elegance of Franck Sorbier is not lacking in audacity. His personal universe is dense and generous, like the dreams that inhabit it. The ideal of sewing, the art of life.
In 2005 he was awarded the Grand Couturier label by all his peers and the Ministry of Industry, and in 2010, the Ministry of Culture and Communication appointed him Master of Art.
