Disney Procedural Admission and Cease and Desist Record Published by RUNWAY MAGAZINE®.

Procedural Public Record

Table of Content

• Introduction: The Boundary Between Fiction and Trade
• Record of Disney & 20th Century Procedural Misconduct
• Disney Procedural History and Rights‑Assessment Record
• Summary of Unauthorized Commercial Use
• Procedural Concerns
• Update March 28, 2026 – Procedural Admission by Disney – Post‑Deadline Admission Establishing Willful Continuation
• UPDATE — APRIL 6, 2026 – Threats, False IP Claims, and Attempts to Silence a Media Outlet Issued on Disney’s Behalf
• UPDATE — APRIL 19, 2026 – COPYRIGHT INFRINGEMENT — DISNEY’S UNAUTHORIZED USE OF RUNWAY MAGAZINE® LOGO
• UPDATE — MAY 01, 2026 – COPYRIGHT INFRINGEMENT — DISNEY ITALY UNAUTHORIZED USE OF RUNWAY MAGAZINE® LOGO ON “RUNWAY COVER BOOTH” ACTIVATIONS IN CINEMA THEATERS (ITALY)
• UPDATE — JUNE 08, 2026 — UNAUTHORIZED COMMERCIAL USE OF RUNWAY MAGAZINE® TRADE NAME BY WALMART / SCOOP / BRANDON MAXWELL — SOHO POPUP (NEW YORK) + WEB3 “WALMART REALM”
• Publication of the CEASE AND DESIST Notice
• About RUNWAY MAGAZINE®
• Disclaimer

Introduction: The Boundary Between Fiction and Trade

In light of recent commercial activations surrounding the production of The Devil Wears Prada 2, it is necessary to establish the legal distinction between a cinematic prop and a protected trade name. The following timeline and legal framework outline the seniority of RUNWAY MAGAZINE and the limitations of fictional copyright.

I. Procedural Seniority and Prior Use

Our rights are established by a 30-year history of continuous use in commerce:

• 1995: Initial establishment and legal deposition of RUNWAY MAGAZINE. This date marks our official entry into the marketplace as a journalistic entity / independent media company.
• 1995 – 2026: A documented history of trademark filings in the United States (including filings in 2008, 2012, 2014, 2026 – with disregard that some are no longer active) and Europe (since 2013 – until today).
• 2018: Expansion into digital storytelling and immersive platforms, establishing a “First Use” for the brand’s digital evolution nearly a decade before current “immersive” marketing trends.

II. The Legal Reality: Fiction vs. Commerce

It is a fundamental principle of intellectual property law that fame in fiction does not grant a retroactive monopoly over real-world commerce. While 20th Century Studios and Disney own the copyright to a fictional story, a cinematic “reservation” does not exist in the real-world market.

We have been engaged in Trade—selling physical magazines, merchandise, and branded tote bags. The studio, conversely, has been engaged in Fiction.

The Global “Trade Name” Shield

1. The International Foundation (The Paris Convention) Under Article 8 of the Paris Convention (valid throughout Europe, UK, and the USA), a trade name is protected based on its existence and reputation in trade, regardless of the celebrity status of a fictional counterpart.

2. The United States Protection (The Lanham Act) Under 15 U.S. Code § 1126 (Section 44 of the Lanham Act), the US explicitly codified Article 8 of the Paris Convention. The law states:

“Trade names or commercial names… shall be protected without the obligation of filing or registration whether or not they form parts of marks.”

3. The United Kingdom Protection (Trade Marks Act 1994) In the UK, the “Section 44” equivalent is found in Section 2(2) of the Trade Marks Act 1994. It explicitly protects you even if you haven’t finished your registration:

“No proceedings lie to prevent or recover damages for the infringement of an unregistered trade mark as such; but nothing in this Act affects the law relating to passing off.”

III. Notice to Commercial Partners

We advise all commercial entities currently participating in “Runway” branded activations to verify Disney’s actual legal right to license this name for trade.

Our seniority and prior use in the marketplace predates the 2026 commercial launch of this film franchise. Associating a real-world product with a fictional “prop” name that is already an established, senior trade name carries significant legal risk. We remain the sole entity with a documented history of actual trade under this mark.

Record of Disney & 20th Century Procedural Misconduct

PARIS, FRANCE — March 26, 2026

RUNWAY MAGAZINE® has issued a formal Cease and Desist Notice to The Walt Disney Company and 20th Century Studios following eight months of correspondence regarding the unauthorized commercial use of the RUNWAY MAGAZINE® name, brand identity, and editorial likeness in promotional activities conducted by several commercial partners associated with The Devil Wears Prada 2, including Mercedes‑Benz Maybach, Hybrid Apparel on behalf of DISNEY (sold in Target), L’Oréal Paris, Lancôme / L’Oreal, Walmart, Diet Coke, TRESemmé / Unilever, Grey Goose.

This publication is made solely for transparency, and to ensure that all parties — including Disney — are fully informed of the procedural record and the steps taken to prevent further confusion arising from materials developed by external vendors and commercial partners.

The full CEASE AND DESIST notice, delivered via certified mail and email to The Walt Disney Company and 20th Century Studios on March 18, 2026, is now available below.

Download CEASE AND DESIST ADDRESSED TO DISNEY (PDF)

Disney Procedural History and Rights‑Assessment Record

This section outlines the procedural history of Disney’s rights‑assessment process as conducted through its external IP vendor, who acted on Disney’s authority in all correspondence with RUNWAY MAGAZINE®. The following chronology documents the assessments, representations, and authorizations issued on Disney’s behalf, beginning with the initial licensing context and continuing through the subsequent rights‑evaluation period.

In January 2024, the franchise formally licensed the real RUNWAY MAGAZINE® logo for a promotional installation connected to The Devil Wears Prada musical. This prior agreement confirmed that the RUNWAY MAGAZINE® identity is a real world media brand that requires acknowledgment and clearance when used in public facing promotional or marketing environments, particularly where its name or likeness appears in commercial contexts, product placements, or branded activations.

Beginning in July 2025, RUNWAY MAGAZINE® provided formal notice to the studio regarding the need for an agreement or licensing arrangement for any use of its identity in materials developed for the sequel, including commercial installations and partner related promotional campaigns.

In October 2025, the Head of the Legal Department of 20th Century Studios executed an acknowledgment agreement concerning the RUNWAY MAGAZINE® identity and transmitted that executed instrument to RUNWAY MAGAZINE® through the studio’s external IP vendor for signature. The operative text of that executed agreement removed any public acknowledgment of RUNWAY MAGAZINE® as a real‑world publication and inserted a purported grant of perpetual commercial rights in the RUNWAY MAGAZINE® identity. RUNWAY MAGAZINE® did not authorize, accept, or consent to those material alterations.

During this period, the studio’s external IP vendor maintained that any reference to “Runway” constituted artistic expression, First Amendment‑protected use, or coincidental fictional naming, and further asserted a claim of “prior use” within the narrative of the original film (not in commerce). At the same time, and notwithstanding the 30 year documented history of RUNWAY MAGAZINE® provided to the studio, the vendor authorized the use of the “Runway” masthead in commercial partner campaigns as if the studio held independent rights to assign or license the identity.

These authorizations were issued for promotional activity connected to Mercedes‑Benz Maybach, L’Oréal Paris, Lancôme / L’Oreal, Diet Coke, Unilever/TRESemmé, Grey Goose, Samsung, Google, Target, Walmart, including product‑driven advertising, retail merchandise, apparel, sweets, and ancillary items produced by third‑party clothing companies such as TruffleShuffle UK.

Although these campaigns were presented as partnerships associated with The Devil Wears Prada 2, the authorizations extended the use of the masthead to commercial promotion of partner products and branded merchandise, and were not confined to internal film props or narrative depiction.

During the 8 months of correspondence, the studio’s external IP vendor relied on trademark filings, corporate records, and online materials originating from an unrelated individual who was later convicted in U.S. federal court in Case No. 2:22‑cr‑00276. Public filings in that case, as well as in CFTC civil enforcement Case No. 2:19‑cv‑01697, document a pattern of falsified business records, fabricated corporate documents, fabricated licensing materials, fabricated trademark narratives, destruction of evidence, and the use of the “Runway” identity in unrelated fraudulent schemes. These same categories of documents were cited by the external vendor during the rights‑assessment process, despite their subsequent identification in federal proceedings as unreliable or fabricated.

The procedural concern is that these criminally‑tainted materials were not merely referenced but were actively used to challenge the legitimacy of RUNWAY MAGAZINE® and its Editor‑in‑Chief, and were presented to the studio and to commercial partners as if they carried evidentiary value. In doing so, the external IP vendor adopted narratives found exclusively in the fabricated records of the convicted individual identified in Case No. 2:22‑cr‑00276, and treated those materials as authoritative. This included characterizing RUNWAY MAGAZINE® as an infringer, effectively positioning the convicted individual’s fabricated filings as the superior claim.

These same criminally‑derived documents were then used as the basis for refusing an agreement and for authorizing commercial uses of the “Runway” masthead that extended beyond any First Amendment or artistic‑use protection. The reliance on documents later identified in federal proceedings as falsified, fabricated, or procedurally defective forms part of the factual record of this matter.

Summary of Unauthorized Commercial Use

The Cease and Desist Notice identifies a coordinated pattern of unauthorized commercial use in which the RUNWAY MAGAZINE® name, masthead, likeness, or editorial identity was incorporated into outward‑facing promotional materials developed by multiple commercial partners participating in campaigns for The Devil Wears Prada 2. These uses were not confined to internal film props or narrative depiction; they were deployed in product advertising, retail merchandise, and partner‑driven promotional assets created independently of the film’s production. The unauthorized uses include:

Mercedes‑Benz Maybach

Mercedes‑Benz Maybach released promotional materials featuring fabricated RUNWAY MAGAZINE® covers and branded visuals as part of its participation in The Devil Wears Prada 2 campaign. These materials were used in outward‑facing automotive advertising and partner‑driven promotional channels without authorization.

Walmart / Scoop / Brandon Maxwell

Walmart, in collaboration with Scoop and Brandon Maxwell, incorporated fabricated “RUNWAY” magazines into its SoHo fashion popup developed as part of its promotional participation in The Devil Wears Prada 2 partnership. Although presented visually as décor, these fabricated magazines were in fact priced at $7.99, barcoded, and offered for sale within the retail environment. The items reproduced the RUNWAY MAGAZINE® trade name and were displayed as part of Walmart/Scoop/Brandon Maxwell’s branded activation without authorization.

Walmart Unauthorized Commercial Use of RUNWAY MAGAZINE® Trade Name

Walmart Unauthorized Commercial Use of RUNWAY MAGAZINE® Trade Name. Illustrative images from the SoHo popup show fabricated “RUNWAY” magazines displayed with retail price tags and barcodes, indicating commercial offering. Used here for reporting and documentation purposes.

Walmart Realm (Web3 Environment)

In addition to the physical popup, Walmart deployed an immersive Walmart Realm Web3 experience containing digital replicas of the same fabricated “RUNWAY” magazines. These digital items remain publicly accessible and were presented as part of Walmart’s branded interactive environment without permission or consultation from RUNWAY MAGAZINE®.

L’Oréal Paris

L’Oréal Paris incorporated stacks of fabricated “Runway Magazine” issues into its global cosmetics campaign, using the fake magazines as physical product display surfaces and as integrated visual elements within advertising tied to The Devil Wears Prada 2. The brand produced and circulated these fabricated RUNWAY MAGAZINE® materials across press releases, social media, paid media, and partner‑owned channels without authorization from RUNWAY MAGAZINE®.

Lancôme (L’Oréal Group)

Lancôme, a subsidiary of L’Oréal Group, incorporated three self‑made “Runway Magazine” issues into promotional materials associated with The Devil Wears Prada 2, using fabricated covers as set elements and visual props without authorization from RUNWAY MAGAZINE®. In addition to the unauthorized magazine likeness, Lancôme produced a wall‑mounted promotional display for its New Longevity MD Lancôme campaign featuring a pink background with a white “Runway” masthead, a distinctive visual combination that RUNWAY MAGAZINE® has used consistently for more than a decade across its applications, digital platforms, and editorial branding. Lancôme’s decision to reproduce RUNWAY MAGAZINE®’s established editorial identity—rather than using the red/black/white palette associated with The Devil Wears Prada franchise—constitutes a direct appropriation of RUNWAY MAGAZINE®’s editorial identity for commercial gain. The resulting assets were used in outward‑facing beauty promotions and distributed across partner‑owned channels without authorization from RUNWAY MAGAZINE®.

TRESemmé by Unilever

TRESemmé, a Unilever brand, incorporated fabricated “Runway Magazine” covers as branded props in its promotional videos, with models holding the made‑up magazines and haircare products placed on top of them. These fabricated materials were produced and used under a license from the film’s production, which authorized TRESemmé to create and deploy fake “Runway Magazine” issues for commercial advertising. The resulting assets were used in outward‑facing haircare promotions and distributed across partner‑owned channels without authorization from RUNWAY MAGAZINE®.

Grey Goose Vodka by Bacardi

Grey Goose used fabricated “Runway Magazine” covers and stacks of made‑up magazines throughout its global vodka campaign, including scenes where the fake magazine was held by Heidi Klum or used as a physical display surface for vodka bottles and cocktail presentations. These fabricated materials were produced and deployed under a license from The Devil Wears Prada 2 franchise, which authorized Grey Goose to create and use fake “Runway Magazine” issues as branded props and product stands. The resulting assets were circulated in outward‑facing commercial advertising and partner content without authorization from RUNWAY MAGAZINE®.

Samsung Runway Cam

Samsung, as a promotional partner for The Devil Wears Prada 2, released a series of Runway Cam videos featuring Helen J. Shen and multiple participants holding fabricated “Runway Magazine” issues. These fabricated magazines were used as recurring props to demonstrate Samsung’s new camera and Circle‑to‑Search features, despite Samsung having no authorization to reproduce or reference RUNWAY MAGAZINE® brand. The resulting assets circulated across Samsung’s social channels and partner platforms, leveraging RUNWAY MAGAZINE®’s editorial identity to promote device capabilities without permission.

Diet Coke

Diet Coke, as a promotional partner for The Devil Wears Prada 2, incorporated fabricated “Runway Magazine” issues into its outward‑facing publicity materials. These fabricated magazines were used as visual props in Diet Coke promotional assets tied to the film partnership, despite Diet Coke having no authorization to reproduce, reference, or depict the RUNWAY MAGAZINE® brand in any commercial context. The resulting materials circulated across Diet Coke’s branded channels and partner platforms, leveraging RUNWAY MAGAZINE®’s editorial identity to reinforce the promotional narrative without permission.

Hybrid Apparel / Disney / Target

Hybrid Apparel produced fabricated “RUNWAY MAGAZINE” branded merchandise on demand for Disney as part of the licensed retail program. These items were distributed through Target Corporation and offered for sale as a consumer product line. The fabricated branding incorporated the RUNWAY MAGAZINE® trade name and was presented as licensed merchandise without authorization, permission, or consultation.

Hybrid Apparel and Target previously represented that the product had been removed from sale following notice from RUNWAY MAGAZINE®. However, the item remains publicly listed and available for purchase on Target, indicating continued unauthorized commercial use and ongoing distribution.

Hybrid Apparel / Disney / Target Unauthorized Commercial Use of RUNWAY MAGAZINE® Trade Name

TruffleShuffle UK

TruffleShuffle UK manufactured and sold apparel, and novelty items incorporating the RUNWAY MAGAZINE® masthead, marketed internationally. These products were produced and distributed without authorization from RUNWAY MAGAZINE®.

Post Notice Continuation of Use

Across these campaigns, the RUNWAY MAGAZINE® masthead, self-made magazines were used in product‑driven advertising, retail merchandise, and promotional materials created and distributed by external partners. These authorizations were issued for commercial activity connected to Mercedes‑Benz Maybach, L’Oréal Paris, Unilever/TRESemmé, Grey Goose, and extended to apparel, accessories, sweets, novelty items, and other consumer products by TruffleShuffle UK. The use of the masthead in these contexts was outward‑facing and commercial in nature, materially distinct from any internal prop use or narrative depiction within the film.

Commercial materials, partner campaigns, and derivative assets continued to be developed and sold after formal CEASE AND DESIST notice was issued to Disney and 20th Century Studio, and Formal Legal Notice to its partners, despite explicit communication that any use of the RUNWAY MAGAZINE® identity required authorization.

Procedural Concerns

The exhibits provided to The Walt Disney Company and 20th Century Studios outline several procedural issues that arose during the correspondence period. These concerns relate primarily to materials and assessments produced by external vendors, and are documented here to ensure clarity for all parties and to prevent further confusion.

1. Reliance on Unreliable Third Party Filings

During the correspondence, the studio’s external IP vendor relied on trademark filings and corporate documents originating from an unrelated individual who was later convicted in U.S. federal court in Case No. 2:22 cr 00276. Public filings in that case describe a pattern of:

• falsified business records,
• fabricated corporate documents,
• fabricated licensing materials,
• fabricated trademark narratives,
• destruction of evidence,
• and the use of the “Runway” identity in unrelated fraudulent schemes.

These materials were also referenced in CFTC civil enforcement Case No. 2:19 cv 01697.

The procedural concern arises from the fact that these types of documents were cited by the external vendor during the rights assessment process, despite their later identification in federal proceedings as unreliable or fabricated. This clarification is provided to ensure that Disney is fully aware of the nature of the materials that were presented on its behalf.

Disney’s external IP vendor relied on these same types of documents as the foundation of her legal arguments, refusal for an agreement, and proceed with commercial misuse, which goes beyond First Amendment protection.

Disney’s external IP vendor:

• dismissed RUNWAY MAGAZINE®’s evidence,
• relied on fabricated documents from a convicted felon,
• adopted narratives found only in his fabricated documents,
• and built Disney’s defense on criminally derived materials.

2. Withdrawal of an Executed Acknowledgment Agreement

On October 17, 2025, 20th Century Studios issued and executed an acknowledgment agreement recognizing RUNWAY MAGAZINE® as a real‑world publication. That executed agreement was later identified as procedurally defective and was withdrawn by the studio without addressing the factual corrections and documentary evidence previously provided by RUNWAY MAGAZINE®. The sequence of execution, prolonged silence, and retroactive withdrawal is part of the procedural record and demonstrates irregular handling of the rights‑assessment process.

Following the withdrawal, the studio’s external IP vendor circulated a revised agreement that materially altered the executed terms. The revised draft removed the acknowledgment clause and added a grant of perpetual commercial rights to the RUNWAY MAGAZINE® identity. These changes were never authorized or accepted by RUNWAY MAGAZINE® and were introduced without RUNWAY MAGAZINE®’s consent. The introduction of these unauthorized clauses further corrupted the record and materially prejudiced RUNWAY MAGAZINE®’s ability to protect its trade identity.

3. Insertion of Unauthorized Clauses

The external IP vendor subsequently introduced a revised version of the agreement that included:

• removal of the acknowledgment clause,
• and the addition of perpetual commercial rights to the RUNWAY MAGAZINE® identity.

These clauses were not authorized or accepted by RUNWAY MAGAZINE®.

4. Refusal to Correct the Record

Despite extensive documentation provided by RUNWAY MAGAZINE®, the external IP vendor declined to correct the factually corrupted record. Instead, the vendor continued to rely on materials originating from an unrelated individual whose documents had already been identified in federal criminal proceedings as fabricated.

It is deeply improper for an external IP vendor to invoke Disney’s authority while advancing corrupted, criminally tainted materials as authentic. Using fabricated documents—already identified in federal criminal proceedings—as the basis for refusal not only undermines the rights assessment process but directly harms the reputation of RUNWAY MAGAZINE® and its Editor in Chief, Eleonora de Gray.

Formal Demand

RUNWAY MAGAZINE® proposed two clear options to regularize the situation and provided a firm deadline for resolution. Despite formal notice, no corrective actions were taken. All commercial campaigns remain live across partner websites, social media platforms, press releases, and retail channels. Silence and operational freeze do not resolve unauthorized commercial use.

As the deadline stated in the Cease and Desist Notice has passed with no response and no corrective measures, RUNWAY MAGAZINE® is publishing the procedural record.

Update March 28, 2026 – Procedural Admission by Disney – Post‑Deadline Admission Establishing Willful Continuation

On March 28, 2026, The Walt Disney Company—through its external IP vendor—issued a written notice that directly acknowledges receipt, awareness, and review of the Cease and Desist Notice. This acknowledgment was issued after the formal deadline, after publication of the Notice, and after a period of complete silence, while all commercial misuse remained active.

By confirming awareness, Disney establishes that it knowingly allowed unauthorized commercial use of the RUNWAY MAGAZINE® identity to continue without correction. The communication further confirms that the external IP vendor acted on behalf of Disney, binding the company to the vendor’s statements, assessments, and procedural conduct.

This post‑deadline acknowledgment transforms the matter from an administrative lapse into a documented instance of conduct that is deliberate, strategic, and legally interpreted as refusal. The continuation of commercial use after formal notice, combined with this post‑deadline acknowledgment, elevates the matter to documented willful continuation.

The pattern of continued use, despite formal notification and confirmed awareness, raises serious concerns regarding procedural integrity and responsible brand stewardship.

UPDATE — APRIL 6, 2026 – Threats, False IP Claims, and Attempts to Silence a Media Outlet Issued on Disney’s Behalf

On April 6, 2026, RUNWAY MAGAZINE® received a new notice issued on behalf of Disney by an external IP vendor. Summary of Disney Legal Threats and Demands Addressed to RUNWAY MAGAZINE®: Removal of Editorial Parody, Satires, Journalistic Documentation, and Public-Interest Commentary Concerning the Marketing Blitz for The Devil Wears Prada 2

1. False IP Claims Issued in Disney’s Name

The notice asserts that Disney owns copyright and trademark rights in “Runway Magazine.” This is false.

• Disney owns no trademarks for RUNWAY or RUNWAY MAGAZINE, and did not commercially use or publish any magazine under these names until 2026, when it began distributing “Runway Magazine”, Runway Magazine branded materials as part of its promotional bundles and merchandise.
• RUNWAY MAGAZINE® is a registered trademark owned exclusively by our company.
• Disney’s rights extend only to fictional artistic use, which we have always acknowledged.

The statements made in Disney’s name are false claims of IP ownership.

2. Threats Directed at a Media Outlet

The notice demands the removal of:

• editorial content
• commentary
• public procedural notices
• legally protected reporting

and threatens litigation for:

• copyright infringement
• trademark infringement
• tortious interference
• defamation
• false association
• disparagement
• parasitism
• unfair competition

These threats were issued against a media organization for engaging in protected journalistic activity.

3. Attempt to Reclassify Journalism as Copyright Infringement

The notice claims that RUNWAY MAGAZINE® reproduced and distributed protected content belonging to Disney.

This mischaracterizes editorial reporting, commentary, satire, and parody as infringement.

This mischaracterizes:

• editorial reporting
• commentary
• satire
• parody
• republished press materials

as “infringement.”

RUNWAY MAGAZINE® operates under the protections of:

• Freedom of Expression
• Media Freedom
• Safety of Journalists

as established in:

• Article 11 of the Déclaration des droits de l’homme et du citoyen (1789)
• Article 19 of the Universal Declaration of Human Rights (1948)
• Article 10 of the European Convention on Human Rights (1950)
• Loi du 29 juillet 1881 sur la liberté de la presse
• U.S. protections for editorial commentary and satire

Attempts to silence or intimidate a media outlet through legal threats are incompatible with these standards.

4. Baseless Allegations of “Parasitism” and “Unfair Competition”

The notice issued on Disney’s behalf claims that RUNWAY MAGAZINE® engaged in “parasitism,” “unfair competition,” and “infringement” by publishing commentary, satire, and republished press materials related to The Devil Wears Prada 2. These allegations are legally unfounded.

A. Protected journalistic activity

Our publications included:

• commentary
• satire and parody
• critical analysis
• opinion
• republished 20th Century Studios press releases
• reporting on publicly released promotional materials

These are core media functions protected under French, European, and U.S. law.

B. No commercial exploitation

RUNWAY MAGAZINE®:

• did not sell Disney content
• did not monetize Disney materials
• did not create merchandise

Our coverage is editorial, not commercial.

C. Attribution is standard media practice

Examples cited by the vendor include:

• “Courtesy of 20th Century Studios” — identifying studio‑distributed press materials
• “Parody by Eleonora de Gray” — clearly labeling satire

These fall squarely within fair use, media rights, and parody protections.

D. Misapplication of French law

The vendor asserts that French counsel considers our reporting “parasitism” under Article 1240. This is incorrect.

Under French law, parasitism requires:

• commercial exploitation,
• free‑riding,
• appropriation of investment,
• competitive intent.

RUNWAY MAGAZINE® engaged in none of these.

Editorial commentary is not parasitism. Satire is not parasitism.

F. Attempting to silence a media outlet is incompatible with international standards

Threatening a media organization for publishing commentary, satire, or republished press materials is inconsistent with:

• European media‑freedom standards
• U.S. First Amendment principles
• French press‑freedom law
• UNESCO guidelines on journalist safety

The attempt to reclassify journalism as “infringement” is noted and documented.

5. The “Interference” Allegation Is Factually False

The notice issued on Disney’s behalf accuses RUNWAY MAGAZINE® of “tortiously interfering” with Disney’s promotional partners. This allegation is demonstrably false.

• RUNWAY MAGAZINE® never sent cease‑and‑desist letters to promotional partners. We issued Formal Notices, limited strictly to clarifying the distinction between the fictional prop used in the film and the real, trademarked RUNWAY MAGAZINE® brand.
• These notices contained no threats, and no accusations against the partners. They were informational and corrective.
• Disney executives were always included on visible CC. No communication was ever sent without Disney’s full knowledge.
• Every statement in our notices was fact‑based, verifiable, and limited to brand‑protection obligations.

There is no secrecy, no malice, no commercial motive, and no conduct that meets any legal definition of tortious interference.

6. False Statements Regarding ISSN Attribution and French Law

The notice issued on Disney’s behalf claims that ISSN attribution “has no legal relevance,” “provides no rights,” and is issued “on simple declaration.” This statement is factually incorrect and misrepresents French law.

The ISSN is assigned by the Bibliothèque nationale de France (BnF) — the French state authority responsible for national bibliographic identification — and is part of the legal identity of a periodical under French and international standards (ISO 3297). It is used for legal deposit, cataloging, archiving, distribution, and international recognition of a publication.

To characterize an ISSN as “self‑referential” or legally meaningless is false, misleading, and dismissive of the French legal framework governing publications.

This misrepresentation is now formally recorded.

7. “False Association” Claims Contradicted by RUNWAY MAGAZINE®’s Public Record

The notice issued on Disney’s behalf alleges “false association” between RUNWAY MAGAZINE® and the fictional prop used in The Devil Wears Prada 2. This allegation is contradicted by the documented public record.

In July 2025, October 2025, January 2026 — months before any threats were issued — RUNWAY MAGAZINE® published a series of editorial clarifications explicitly separating:

• the real-life, trademarked RUNWAY MAGAZINE®
• from the fictional cinematic construct used as a narrative device

These publications include, among others:

• Reality Is in RUNWAY Beyond the Fictional Magazine (January 2026)
• Additional explanatory articles outlining the historical, legal, and operational identity of RUNWAY MAGAZINE® as a real media company

These articles state clearly and repeatedly that:

• RUNWAY MAGAZINE® is not derived from cinema
• RUNWAY MAGAZINE® is a real, legally recognized media organization with global operations
• The fictional “Runway” in cinema is an archetype, not a representation of the real publication

These clarifications were published proactively, and publicly to avoid any confusion with fiction.

To allege “false association” in the face of this documented record is factually incorrect. RUNWAY MAGAZINE® has consistently maintained a strict separation between the real publication and the fictional cinematic prop.

The allegation is therefore baseless, and is now formally recorded.

8. Misuse of the Term “Disparagement” Against a Media Outlet

The notice issued on Disney’s behalf accuses RUNWAY MAGAZINE® of “disparagement.” This allegation is legally incoherent.

Under both U.S. and European legal frameworks, “disparagement” applies to:

• commercial competitors
• entities engaged in market competition
• parties attempting to damage the commercial reputation of another business for competitive gain

RUNWAY MAGAZINE® is a media outlet, not a commercial competitor of Disney or 20th Century Studios. RUNWAY MAGAZINE® does not produce films, and does not engage in any activity that could constitute competitive harm.

Furthermore:

• Editorial commentary
• Satire
• Parody
• Critical analysis
• Reporting on publicly released promotional materials

are all protected forms of journalistic expression under European, and U.S. law.

Media commentary — even when critical — is not “disparagement.” It is protected speech.

The attempt to reclassify protected editorial commentary as “disparagement” is a misapplication of the term and an inappropriate use of legal threats against a press organization.

RUNWAY MAGAZINE® has not engaged in any conduct that meets the legal definition of disparagement.

The allegation is therefore unfounded and is now formally recorded.

UPDATE — APRIL 19, 2026 – COPYRIGHT INFRINGEMENT — DISNEY / Eudora / Grupo Boticário UNAUTHORIZED USE OF RUNWAY MAGAZINE® LOGO

On April 18–19, 2026, RUNWAY MAGAZINE® identified a new and severe escalation: the unauthorized us of the copyrighted RUNWAY MAGAZINE® logo on a commercial cosmetic product marketed as part of an official Disney licensing agreement.

Eudora, a cosmetics brand under Grupo Boticário, publicly announced its first licensing collaboration with Disney for a limited‑edition makeup collection inspired by The Devil Wears Prada. The collection is promoted as an official Disney partnership and includes the “Runway Magazine Palette,” a 35‑shade eyeshadow palette priced at $234.99.

Eudora, under a publicly announced Disney licensing agreement for The Devil Wears Prada, introduced a limited‑edition makeup collection promoted as an official Disney collaboration. Promotional materials state:

1. Unauthorized Use of the Copyrighted RUNWAY MAGAZINE® Logo

The Eudora Runway Magazine Palette packaging does not use the fictional cinematic prop logo from The Devil Wears Prada (cropped “A”, no “MAGAZINE” descriptor, different structure). Instead, it reproduces the real, copyrighted RUNWAY MAGAZINE® logo, specifically:

• the distinctive rising “A” unique to the RUNWAY MAGAZINE® typographic signature
• the exact proportional layout of the registered mark
• the “MAGAZINE” descriptor
• the removal of the ® symbol
• a composition identical to the copyrighted graphic work published on Wikidata and runwaymagazines.com

This is copyright infringement and Disney’s unauthorized use copyrighted RUNWAY MAGAZINE® logo on a commercial product.

2. Unauthorized Licensing and False Attribution

The Eudora Runway Magazine Palette is marketed as a Disney‑licensed item, priced at $234.99, which results in:

• commercial distribution of a copyrighted work Disney does not own
• false attribution of authorship to Disney/20th Century Studios
• presentation of RUNWAY MAGAZINE®’s copyrighted identity (logo) as part of Disney’s IP portfolio

Disney’s COPYRIGHT INFRINGEMENT and Unauthorized commercial use of RUNWAY MAGAZINE® Logo is now formally recorded.

UPDATE — MAY 01, 2026 – COPYRIGHT INFRINGEMENT — DISNEY ITALY UNAUTHORIZED USE OF RUNWAY MAGAZINE® LOGO ON “RUNWAY COVER BOOTH” ACTIVATIONS IN CINEMA THEATERS (ITALY)

RUNWAY MAGAZINE® has identified multiple Italian cinema theaters displaying a “Runway cover booth” installation replicating the protected booth concept created by the Dominion Theatre production for the 2024 Elton John musical. That booth design — developed under Elton John’s licensed use of Disney’s The Devil Wears Prada IP — incorporated the RUNWAY MAGAZINE® logo solely under an agreement.

Disney Italy reproduced this booth concept, including the RUNWAY MAGAZINE® logo and the distinctive design elements originating from the Elton John production, for The Devil Wears Prada 2 cinema activations sponsored by Grey Goose. These installations were deployed without any request for permission, license, or consultation from RUNWAY MAGAZINE®, Elton John, or the Dominion Theatre production.

This constitutes an unauthorized use of RUNWAY MAGAZINE®’s copyrighted branding for Disney marketing and activations.

Unauthorized Licensing and False Attribution

The Disney Italy ciname theaters activations is marketed as a Disney / 20th Century Studios copyright, which results in:

• distribution of a copyrighted work Disney does not own
• false attribution of authorship to Disney/20th Century Studios
• presentation of RUNWAY MAGAZINE®’s copyrighted identity (logo) as part of Disney’s IP portfolio

Logo was taken from WIKIDATA without authorization.

Another Disney’ COPYRIGHT INFRINGEMENT and Unauthorized commercial use of RUNWAY MAGAZINE® Logo is now formally recorded.

UPDATE — JUNE 08, 2026 — UNAUTHORIZED COMMERCIAL USE OF RUNWAY MAGAZINE® TRADE NAME BY WALMART / SCOOP / BRANDON MAXWELL — SOHO POPUP (NEW YORK) + WEB3 “WALMART REALM”

RUNWAY MAGAZINE® has identified unauthorized commercial use of its registered trade name in the Walmart / Scoop / Brandon Maxwell fashion popup located in SoHo, New York.

Multiple fabricated “RUNWAY” magazines were displayed as décor but were in fact priced at $7.99, and barcoded as consumer goods. These items reproduced the RUNWAY trade name in a manner likely to cause confusion and were presented as part of Walmart/Scoop/Brandon Maxwell’s branded retail environment.

No permission, license, or consultation was ever requested or granted.

Unauthorized Digital Replication — Walmart Realm (Web3 Environment)

In addition to the physical popup, Walmart deployed an immersive Web3 “Walmart Realm” experience containing digital replicas of the same fabricated “RUNWAY” magazines. These digital items remain publicly accessible and are presented as part of Walmart’s branded interactive environment.

This constitutes unauthorized digital distribution and public display of materials incorporating the RUNWAY MAGAZINE® trade name.

Trademark Misuse and Commercial Exploitation

The SoHo popup and the Walmart Realm environment resulted in:

• unauthorized commercial use of the RUNWAY MAGAZINE® trade name
• retail offering of fabricated “RUNWAY” magazines at a unit price of $7.99 US/CAN
• misrepresentation of RUNWAY MAGAZINE®’s trade name as part of Walmart/Scoop/Brandon Maxwell’s branded assets
• digital replication and display of fabricated “RUNWAY” magazines in a Web3 environment
• use of the RUNWAY trade name inside a branded commercial experience – online store
• consumer‑facing confusion regarding affiliation, endorsement, or licensing

This violation is now formally recorded as Unauthorized Commercial Use + Trademark Misuse + Unauthorized Digital Use of RUNWAY MAGAZINE®.

Publication of the CEASE AND DESIST Notice

RUNWAY MAGAZINE® has now published the full Cease and Desist Notice for transparency.

Download CEASE AND DESIST ADDRESSED TO DISNEY (PDF)

About RUNWAY MAGAZINE®

RUNWAY MAGAZINE® is an international fashion publication founded in 1995 in New York and headquartered in Paris, founded by Eleonora de Gray. Produced in nine languages, the magazine reaches more than 20 million readers across print, digital, and immersive Web3 formats.

Message from Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE:

To the “legal talents” at Disney / 20th Century Studios: any further legal threats, or social media stalking by studio directed at me or our media will be immediately published on RUNWAY MAGAZINE digital platform, and reported to the International Associations of Journalists. My credentials: International Association of Journalists ID W73133, and the American Association of Journalists ID C553-3.
Furthermore, let’s clarify a point of professional etiquette: while our staff at our offices may not feel the need to flaunt a Bar Number, they — and our entire operation — are protected under the umbrella of these international journalistic associations and the legal safeguards of a registered media organization.

Disclaimer

This publication has been met with legal threats from representatives of Disney / 20th Century Studios demanding its removal: “Disney will not hesitate to take legal action against Ms. de Gray, both personally and through her companies, including, but not limited to, by filing a lawsuit for copyright and trademark infringement, tortious interference, defamation, false association, disparagement, parasitism, and/or unfair competition.”

To note: Disney DOES NOT OWN RUNWAY / RUNWAY MAGAZINE trademarks, DOES NOT HAVE COMMERCIAL USE until April 2026, and CANNOT APPROPRIATE OUR IDENTITY.

Furthermore, Disney’s claims rely on factually corrupted records and fabricated documents originating from an individual convicted in U.S. federal court (Case No. 2:22-cr-00276), constituting a pattern of willful misinformation and unauthorized commercial use across global campaigns (L’Oréal, Mercedes-Benz, Target, Walmart, etc).

RUNWAY MAGAZINE® operates under the internationally recognized protections for Freedom of Expression, Media Freedom, and the Safety of Journalists as affirmed in Article 11 of the Déclaration des droits de l’homme et du citoyen (1789), Article 19 of the Universal Declaration of Human Rights (1948), Article 10 of the European Convention on Human Rights (1950), the Loi du 29 juillet 1881 sur la liberté de la presse, the First Amendment of the U.S. Constitution protecting editorial commentary and satire, UNESCO’s standards for the independence and safety of the press, and the protections against abusive litigation (SLAPP) afforded by the EU Anti-SLAPP Directive (2024/1069). Any effort to restrict, suppress, or unduly pressure a media outlet in the exercise of its journalistic functions stands in tension with these binding standards and the public‑interest role of the press.

RUNWAY MAGAZINE® is an internationally distributed fashion publication founded in 1995 in New York and headquartered in Paris since 2004. The brand is protected under international trademark frameworks, including active WIPO registrations.

RUNWAY MAGAZINE® operates under the French activity code Édition de revues et périodiques (5814Z) and is governed by the Journalistes (1480) collective agreement.